{"id":6670,"date":"2010-04-18T00:52:17","date_gmt":"2010-04-18T07:52:17","guid":{"rendered":"http:\/\/mattcastille.com\/me\/2010\/04\/fecal-face-meredith-dittmar-interview\/"},"modified":"2010-04-18T00:52:17","modified_gmt":"2010-04-18T07:52:17","slug":"fecal-face-meredith-dittmar-interview","status":"publish","type":"post","link":"http:\/\/mattcastille.com\/me\/2010\/04\/fecal-face-meredith-dittmar-interview\/","title":{"rendered":"Fecal Face – Meredith Dittmar Interview"},"content":{"rendered":"

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My process is always changing. Typically I collect images, diagrams, math and words and surround myself with them before I begin a set of pieces – though once I start working I only refer to them rarely. I throw it all into the brain blender and see what comes out. I usually work on several pieces at a time because creating certain effects in clay is labor intensive and then when something doesn’t fit it usually get used somewhere else. I try to sculpt freely, creating parts, using them or not, and see what begins to appear. I sketch the larger overreaching ideas as they come and maybe use them or not. I’m always playing with the balance of tackling the technical challenges the clay poses, with the desire to keep moving forward with more immediate techniques. Most importantly though, I try to keep my head out of it and work from a open & quiet state.<\/p>\n

[From Fecal Face – Meredith Dittmar Interview<\/cite><\/a>]\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

My process is always changing. Typically I collect images, diagrams, math and words and surround myself with them before I begin a set of pieces – though once I start working I only refer to them rarely. I throw it all into the brain blender and see what comes out. I usually work on several … Continue reading Fecal Face – Meredith Dittmar Interview<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-6670","post","type-post","status-publish","format-standard","hentry","category-art"],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4RRl-1JA","_links":{"self":[{"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/posts\/6670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/comments?post=6670"}],"version-history":[{"count":0,"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/posts\/6670\/revisions"}],"wp:attachment":[{"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/media?parent=6670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/categories?post=6670"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/mattcastille.com\/me\/wp-json\/wp\/v2\/tags?post=6670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}